Thursday 31 October 2013

EXERCISE 2


EXERCISE 2:
The local design magazine, which I had selected to do further research on, was Enjin. The focus was the content and style of the magazine.
About:
Enjin magazine originated from South Africa. It is seen as the only magazine based on the latest trends as well as new technological developments which professionals are in search of, in order to keep up to date with the global economy. The magazine outlines issues experienced within the fields of design and advertising. This print magazine is also available online and expresses the technique of visual communication. Enjin magazine focuses on areas such as: advertising, graphic design, illustration, digital media, photography and illustration. This provides an insight on a wide variety of topics that will interest its readers.
Logo:
 
The logo is enclosed by a thick stroked, rectangular border/ box, which has a slit of breathing space, created by the “J” of Enjin. The single, san-serif “Enjin” based in the middle of the design is connected to the border and is black in colour as well. The brand name is bold and seen in quite thick strokes as well as large sized type. The slogan: “MAGAZINE FOR CREATIVE PROFESSIONALS” is seen in uppercase, black san-serif type, but less decorative and more simple and rigid. This line is aligned to fit within the length of the border-like box. Spacing within the border and outside is equal.

Layout:
 
The layout is clean and peaceful. The branding is always the strongest element consistently seen throughout. Each cover design suits the topic to be discussed further within the content of the magazine and the use of the different types of media, e.g. the photography links to the mood and environment of the reader. All type is left aligned on this cover and is seen in white, making it pop out from the sophisticated darker tones of the photography. The overall look is contemporary and fits within the context. There are always lots of visuals which compliment the text.  A 2 or 3 column grid is always used for organization.
Type:
As we can see, the Enjin loves experimenting with the design of their typography, making a variation for each and every different occasion to come created by the members of the team.


Typefaces are kept to occasionally a restriction of a single typeface or a variation of two choices, one for headings and the other for body text. This keeps consistency throughout the design. Colours are always changed to either suit the mood, photography or imagery of the design. Typography is also depicted in various sizes and weights. It also depicts forms of hierarchies in design as well.


Content:


The content is very unique and contemporary. Imagery is an important aspect to Enjin and text is just a brief insight of what is being depicted. The design is new, fresh, innovative and conceptually strong according to each section/ topic. Professionals, graphic designers or people within the design industry are is where the emphasis is directed towards. The content reveals designs of these specific fields: advertising, graphic design, illustration, digital media, photography and illustration. The purpose of Enjin is to inform and provide a clear understanding in the form of education relating to its readers.

Style:


Enjin magazine makes use of a variety of colours, font sizes, weights and mediums: photography, illustrations, mixed media and many more to express each topic of discussion. This is great in terms of adapting to the atmospheres of the different interests of the  target markets. As we can see an ancient yet humorous approach to design was taken in this layout as the colours are quite dull and mellow. They create an overlay over the visuals.
Genre:
Enjin is the only publication based in South Africa to express the fields of Design/ Graphic Design and technological gadgets.
Niche/ Target Market:
The target market consists of specifically professionals designers/ graphic designers and even upcoming designers. People who wish to keep up to date and informed about the latest of news within their community and even those who seek inspiration. The target market would range from teenagers to adults, so from 13 – 40/50 year olds. The designs range from being fun and playful to serious and political as the age group gets older.


Links:

Image 1:


Image 2:


Image 3:     


Image 4-7:


Image 8:
http://issuu.com/enjincr/docs/enjin47

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